Kolorshift · Labo FX
Understand what a control changes. Choose a texture, shape diffusion and find your balance. Explore the tools that take your photograph further.
Photography
Choose a film before you shoot.
See the scene with your chosen film look in real time, then take the photo. Active looks accompany the viewfinder; Lens FX are adjusted after capture.
The viewfinder is set to 30 fps by default; 15 and 24 fps modes remain available. The saved copy is processed separately at the available quality.
Films
Browse films by manufacturer.
The catalogue brings together colour, black-and-white and cinema looks, with a cartridge to recognise every reference.
60 rendus actifs : 44 modèles fondés sur des données publiées et deux interprétations indépendantes non étalonnées.
Basic
Warm or cool the image’s balance.
Temperature follows a scene’s atmosphere: window light, a cold sky or the warmth of late afternoon.
The control changes colour balance. It cannot recover a colour missing from the file.
Try this toolLens FX
Explore another way to shape light.
Choose an optical interpretation independent of the film to shape the edges and diffusion.
These profiles are independent 2D optical approximations, rather than certified measurements of physical lenses.
Try this toolMove the slider: the curve shows how the control changes the light. Brightening an image, choosing which highlights diffuse or softening the transition to blur: every tool works in its own way.
These studies follow the tools’ digital models. See their effect on photographs in the interactive preview.
Raise the threshold to diffuse only the strongest lights. Lower it to include more bright areas.
Solid line: current amount · Dotted line: initial amountGradual highlight selection · digital model diagramRAW development
Adjust exposure in the RAW workspace.
Development works from compatible raw-file data before the look is prepared. Adjust its light level in EV.
The RAW menu appears when a RAW file has been recognised. A JPEG or TIFF does not become a RAW.
+1 EV doubles linear light; −1 EV halves it. The final look then depends on the tonal response and film profile.
Solid line: current amount · Dotted line: neutral referenceExposure gain in linear light · digital model diagramFiles & gallery
Import a JPEG, PNG or compatible RAW.
Open an existing photograph to choose its film and continue editing, even if it was not taken in Kolorshift.
To try a film without stacking looks, start with a neutral image rather than a heavily graded photograph.
On the website: neutral JPEGs developed from real RAW files. In the application: capture, import and tools adapted to the recognised file.
